Duivendrecht greets us with its large white letters framed by a red triangle, a late modernist sign for a sci-fi-like station appearing to be stuck in the Cold War. Are we stuck here, too?

The very concepts of finance and, more broadly, economics have been skewed, painted with an ugly green colour.

We can’t look away, run and hide, or ignore the story as told by one of its victims. For me, this is television at its finest.